As for the actual cape, it is made of a crushed velvet that I picked up on-line a while ago and lined in red tartan flannel. It's only a light-weight velvet so, I wanted something that would give it more warmth as a lining. The pattern for the cape actually came from two. The cape itself from a pattern I borrowed off my cousin and traced up. the pattern is actually a lot fuller, however I had to fold it down as I didn't have enough fabric to cut it the full shape. Next time though, I will be making it a lot fuller. I figured it didn't really matter in this instance as I was making it to be worn over regency gowns with their slim skirts. The cape is completely bagged out (stitched wrong sides together, turned through a split, and the slip-stitched closed) which is a really good thing when working with velvet which just pills everywhere. Absolute mess to make.
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With my love of hoods, I had to make this one hooded as well. I was going to use the shaped hood that came with the pattern, but when I was flipping through Janet Arnold Patterns of Fashion, I spotted a pattern for a late Georgian hood which is simple a rectangular sort of shape that is pleated in at the centreback and sides to fit. I really like how it turned out and I simply adore how the large stacked pleats at the back look.
Overall, I am very pleased with it. And I think that in future for my regency hoods, I will definitely consider using the same hood pattern. I would like to make the fuller skirted version though at some point. Probably with a cheaper and wider fabric than my crushed velvet. But at least that is one less thing I now have to worry about. And I won't get cold in the evenings at JAFA.
I love all your Regency and Georgian costuming. Lots of fun!
ReplyDelete(Doesn't help that I'm a huge Jane Austen fan... Pride & Prejudice is my favorite book of all time.)